Photoset

The Jazz Heritage Center’s

Black History Month Screening

‘A Choice of Weapons’: Film about Bayview

FEBRUARY 25th @ 2pm and 4pm, 2012.

Jazz Heritage Center

http://www.jazzheritagecenter.org/

1330 Fillmore Street, San Francisco, CA. 94115

Some young people make a statement by picking up a weapon. Others pick up a camera.

Several young filmmakers at Conscious Youth Media Crew, a San Francisco digital film studio for high-risk youths, are making their point by aiming cameras at young people aiming guns.

“These young people believed in the story they were telling, and they got it done,” Styles said. “They worked hard and they completed a feature film. I applaud them. They still have more to learn, but I believe they can go anywhere they want to in this business.”

The idea for moving beyond the music videos and short documentaries usually made by CYMC participants came from the group’s founder and executive director, Debra Koffler. She had seen a number of talented filmmakers hone their skills in her program, and with the help of a $30,000 grant from the California Council for the Humanities’ How I See It: Youth Digital Filmmakers project, she gathered a small crew and challenged them to make a 75-minute film about pressing community issues.

“We researched several communities around the city, but the stories about redevelopment and health issues in Bayview were just so powerful and came right out of the streets,” Koffler said. “We knew that’s where we needed to make the film.”  -Chad Jones, Special to The Chronicle

The Jazz Heritage Center is requesting a tax deductible $10 Donation.
You can purchase tickets online @ http://www.brownpapertickets.com/event/227547 
Read more about this article here: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/11/04/DDKV13T5MP.DTL#ixzz1lxyHGTH4
for more info about the Jazz Heritage Center:
http://www.jazzheritagecenter.org/
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STRAIGHT OUTTA HUNTERS POINT 2Directed by Kevin Epps.  2011. Digital.  Running time: 80 minutes.
Rated: NR    Runtime: 80 mins.Fri, Feb 24 - Thurs, March 1 

Where:ROXIE THEATER3117 16th Street at Valencia, San Francisco, CA 94103415-431-3611 When:TUESDAY, FEBRUARY 7, 2012 AT 11:00amPlaydate:Friday, February 24 – Thursday, March 1Nightly at 7:00 & 8:45.  Additional Saturday & Sunday matinees at (3:15) & 5:00.Filmmaker Kevin Epps IN PERSON at evening shows Friday & Saturday!

WHAT:Most San Franciscans, even long-time residents, have never spent even5 minutes in the notorious, conveniently isolated neighborhood knownas Hunters Point. Located south-east of Potrero Hill, Bayview Hunter’sPoint is San Francisco’s black ghetto that has for decades beenravaged by devastating violence, drug use and poverty. This is themuch anticipated follow up to 2003’s groundbreaking, and widelyacclaimed documentary that presented often disturbing, sometimeshilarious, always engaging street-level glimpses of an area most cityresidents avoid at any cost. In this completely new film Epps revealsanew, with the unrelenting eye of an embedded war journalist, thepresent state of the community that he still calls home. Dir: KevinEpps. 2011. Digital. 80 mins. Nightly at 7pm & 8:45pm, plus Sat. +Sun. at (3:15) & 5pm.CONTACT:If you have any questions please contact Rick at rick@roxie.com and415-431-3611
more info here:
http://roxie.com/events/details.cfm?eventid=F61B42A5-1143-DBB3-C6CF547AA4C78659

STRAIGHT OUTTA HUNTERS POINT 2
Directed by Kevin Epps.  2011. Digital.  Running time: 80 minutes.
Rated: NR    Runtime: 80 mins.
Fri, Feb 24 - Thurs, March 1 

Where:
ROXIE THEATER
3117 16th Street at Valencia, San Francisco, CA 94103
415-431-3611 

When:
TUESDAY, FEBRUARY 7, 2012 AT 11:00am

Playdate:
Friday, February 24 – Thursday, March 1
Nightly at 7:00 & 8:45.  Additional Saturday & Sunday matinees at (3:15) & 5:00.
Filmmaker Kevin Epps IN PERSON at evening shows Friday & Saturday!

WHAT:
Most San Franciscans, even long-time residents, have never spent even
5 minutes in the notorious, conveniently isolated neighborhood known
as Hunters Point. Located south-east of Potrero Hill, Bayview Hunter’s
Point is San Francisco’s black ghetto that has for decades been
ravaged by devastating violence, drug use and poverty. This is the
much anticipated follow up to 2003’s groundbreaking, and widely
acclaimed documentary that presented often disturbing, sometimes
hilarious, always engaging street-level glimpses of an area most city
residents avoid at any cost. In this completely new film Epps reveals
anew, with the unrelenting eye of an embedded war journalist, the
present state of the community that he still calls home. Dir: Kevin
Epps. 2011. Digital. 80 mins. Nightly at 7pm & 8:45pm, plus Sat. +
Sun. at (3:15) & 5pm.

CONTACT:
If you have any questions please contact Rick at rick@roxie.com and
415-431-3611
more info here:

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When
Sunday, February 19, 2012




Time
2:00pm until 5:00pm




Where
deYoung Museum, Koret Auditorium, 50 Hagiwara Tea Garden Dr., SF, Ca 94118
Description
What’s Going On is the story of Marvin Gaye’s extraordinary life and tragic death; The tale unfolds through archival footage of Marvin being interviewed and performing live, together with brand new interviews with friends, family and colleagues. The program goes into intimate detail on the abrasive relationship with his father that began in his childhood, on his marriages, his drug abuse and his relationship with Motown and Berry Gordy. This event is FREE.Filmmakers Lounge with Director Kevin Epps & special guestSupported by:deYoung Art Fellow, African American Art & Culture Complex, James Irvine Foundation, SF Black Film Festival, Osiris Coalition.

    • When
      Sunday, February 19, 2012
    • Time
      2:00pm until 5:00pm
Where
deYoung Museum, Koret Auditorium, 50 Hagiwara Tea Garden Dr., SF, Ca 94118
Description
What’s Going On is the story of Marvin Gaye’s extraordinary life and tragic death; The tale unfolds through archival footage of Marvin being interviewed and performing live, together with brand new interviews with friends, family and colleagues. The program goes into intimate detail on the abrasive relationship with his father that began in his childhood, on his marriages, his drug abuse and his relationship with Motown and Berry Gordy. 

This event is FREE.

Filmmakers Lounge with Director Kevin Epps & special guest

Supported by:
deYoung Art Fellow, African American Art & Culture Complex, James Irvine Foundation, SF Black Film Festival, Osiris Coalition.

Photo


Sunday, February 12, 2012




Time: 1:00pm until 4:00pm


Footage shot by a group of Swedish journalists documenting the Black PowerMovement in the United States is edited together by a contemporary Swedish filmmaker.
……………………………………………………………………
Where
Koret Auditorium S.F. Main Library 100 Larkin St. SF, CA 94102
Description
Be a part of the policy & legislative discussion impacting the Black community:Regionalism, Local Decision Making & African American Out-MigrationThe Crisis of Men & Boys of ColorQuality Jobs & Labor Issues
  • Sunday, February 12, 2012
  • Time: 1:00pm until 4:00pm

Footage shot by a group of Swedish journalists documenting the Black PowerMovement in the United States is edited together by a contemporary Swedish filmmaker.

……………………………………………………………………

Where

Koret Auditorium S.F. Main Library 100 Larkin St. SF, CA 94102
Description
Be a part of the policy & legislative discussion impacting the Black community:

Regionalism, Local Decision Making & African American Out-Migration
The Crisis of Men & Boys of Color
Quality Jobs & Labor Issues
Photo




When
Saturday, February 4, 2012




Time
Starts at 3:30pm 




Where
deYoung Museum, Koret Auditorium, 50 Hagiwara Tea Garden Drive, San Francisco, California, 94118
Description
Starring Richard Pryor- (1977-94min) A Comic, Hilarious tale of love, seduction and betrayal in the strife-torn farm country of central California, Which Way Is Up? is one of Richard Pryor’s best and most underrated films. Pryor plays several roles here, most significantly a migrant orange picker who works his way up in the ranks of an agricultural company — first becoming a labor union hero and then a corporate womanizing flunky. In conversation with writer, Prof. Cecil BrownFREE EVENT:Supported by: 2011 deYoung Artist Fellow, the African American Art and Culture Complex, The James Irvine Foundation, SF Black Film Festival, Osiris Coalition

    • When
      Saturday, February 4, 2012
    • Time
      Starts at 3:30pm 
Where
deYoung Museum, Koret Auditorium, 50 Hagiwara Tea Garden Drive, San Francisco, California, 94118
Description
Starring Richard Pryor- (1977-94min) A Comic, Hilarious tale of love, seduction and betrayal in the strife-torn farm country of central California, Which Way Is Up? is one of Richard Pryor’s best and most underrated films. Pryor plays several roles here, most significantly a migrant orange picker who works his way up in the ranks of an agricultural company — first becoming a labor union hero and then a corporate womanizing flunky. 

In conversation with writer, Prof. Cecil Brown

FREE EVENT:

Supported by: 2011 deYoung Artist Fellow, the African American Art and Culture Complex, The James Irvine Foundation, SF Black Film Festival, Osiris Coalition

Photo
COME BACK, AFRICA Friday, February 3 – Wednesday, February 8  Joining us on OPENING NIGHT, the heralded & gracious VUKANI MAWATHU CHOIR, often called “the spirit of the movement” and “cultural ambassadors of good will.” Will perform a set of inspirational freedom songs of Southern Africa on Feb 3rd in the Big Theater!   SAN FRANCISCO PREMIERE! “This film was made secretly to portray the true conditions of life in South Africa today. There are no professional actors in this drama of the faith of a man and his country. This is the story of Zachariah – one of the hundreds of thousands of Africans forced each year off the land by the regime and into the gold mines.” So begins COME BACK, AFRICA, Lionel Rogosin’s (ON THE BOWERY) powerful and unflinching 1959 feature film. Away from his village and ambling from one dehumanizing job to another, Zachariah experiences first-hand the extent to which apartheid South Africa will go to rob an honest man of his dignity. This stunning, scathing docudrama won praise abroad and was utterly ignored in the USA upon its initial release, spurring Rogosin to lease and program the groundbreaking Bleecker St. Cinema in New York, which opened COME BACK, AFRICA in 1960 and ignited an intellectual and aesthetic revolution in New York City, the reverberations of which are still being felt today. The film’s restoration – by the Cineteca Bologna and the laboratory L’Imagine Ritrovata with the collaboration of Rogosin Heritage and the Anthology Film Archive – serves not only to bring in focus the amazing sociological evidence of the footage, but also to stun us with how recently these barbaric practices were committed. Dir: Lionel Rogosin. Starring Zacharia Mgabi and Venah Bendile. 1959/2012. USA. Subtitles. 84 mins. Nightly at 6:45pm & 8:30pm, plus Sat. + Sun. at (2:30pm) & 4:15pm

COME BACK, AFRICA Friday, February 3 – Wednesday, February 8 Joining us on OPENING NIGHT, the heralded & gracious VUKANI MAWATHU CHOIR, often called “the spirit of the movement” and “cultural ambassadors of good will.” Will perform a set of inspirational freedom songs of Southern Africa on Feb 3rd in the Big Theater! SAN FRANCISCO PREMIERE! “This film was made secretly to portray the true conditions of life in South Africa today. There are no professional actors in this drama of the faith of a man and his country. This is the story of Zachariah – one of the hundreds of thousands of Africans forced each year off the land by the regime and into the gold mines.” So begins COME BACK, AFRICA, Lionel Rogosin’s (ON THE BOWERY) powerful and unflinching 1959 feature film. Away from his village and ambling from one dehumanizing job to another, Zachariah experiences first-hand the extent to which apartheid South Africa will go to rob an honest man of his dignity. This stunning, scathing docudrama won praise abroad and was utterly ignored in the USA upon its initial release, spurring Rogosin to lease and program the groundbreaking Bleecker St. Cinema in New York, which opened COME BACK, AFRICA in 1960 and ignited an intellectual and aesthetic revolution in New York City, the reverberations of which are still being felt today. The film’s restoration – by the Cineteca Bologna and the laboratory L’Imagine Ritrovata with the collaboration of Rogosin Heritage and the Anthology Film Archive – serves not only to bring in focus the amazing sociological evidence of the footage, but also to stun us with how recently these barbaric practices were committed. Dir: Lionel Rogosin. Starring Zacharia Mgabi and Venah Bendile. 1959/2012. USA. Subtitles. 84 mins. Nightly at 6:45pm & 8:30pm, plus Sat. + Sun. at (2:30pm) & 4:15pm

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SAN FRANCISCO 
More Than a MonthTuesday, February 21, 2012 @ 5:45pmSan Francisco Main Public Library

The Film
Shukree Hassan Tilghman, a 29-year-old African-American filmmaker, sets out on a cross-country campaign to end Black History Month. He stops in various cities, wearing a sandwich board, to solicit signatures on his petition to end the observance. He explains that relegating Black History Month to the coldest, shortest month of the year is an insult, and that black history is not separate from American history. Through this thoughtful and humorous journey, he explores what the treatment of history tells us about race and equality in a “post-racial” America.
His road trip begins in Washington, D.C., crisscrosses the country during Black History Month 2010, and ends with an epilogue one year later. Each stop along the journey explores Black History Month as it relates to four ideas: education, history, identity, and commercialism.
Tilgman’s campaign to end Black History Month is actually a provocative gambit to open a public conversation about the idea of ethnic heritage months, and whether relegating African American history to the shortest month of the year — and separating it from American history on the whole — denigrates the role of black people and black culture throughout American history. But it is also a seeker’s journey to reconcile his own conflicting feelings about his own identity, history, and convictions.
More Than a Month is not just about a yearly tradition, or history, or being black in America. It is about what it means to be an American, to fight for one’s rightful place in the American landscape, however unconventional the means, even at the risk of ridicule or misunderstanding. It is a film is about discovering oneself.


The Filmmakers
Shukree Hassan TilghmanDirector
Owen CooperProducer

SAN FRANCISCO 

More Than a Month
Tuesday, February 21, 2012 @ 5:45pm
San Francisco Main Public Library


The Film

Shukree Hassan Tilghman, a 29-year-old African-American filmmaker, sets out on a cross-country campaign to end Black History Month. He stops in various cities, wearing a sandwich board, to solicit signatures on his petition to end the observance. He explains that relegating Black History Month to the coldest, shortest month of the year is an insult, and that black history is not separate from American history. Through this thoughtful and humorous journey, he explores what the treatment of history tells us about race and equality in a “post-racial” America.

His road trip begins in Washington, D.C., crisscrosses the country during Black History Month 2010, and ends with an epilogue one year later. Each stop along the journey explores Black History Month as it relates to four ideas: education, history, identity, and commercialism.

Tilgman’s campaign to end Black History Month is actually a provocative gambit to open a public conversation about the idea of ethnic heritage months, and whether relegating African American history to the shortest month of the year — and separating it from American history on the whole — denigrates the role of black people and black culture throughout American history. But it is also a seeker’s journey to reconcile his own conflicting feelings about his own identity, history, and convictions.

More Than a Month is not just about a yearly tradition, or history, or being black in America. It is about what it means to be an American, to fight for one’s rightful place in the American landscape, however unconventional the means, even at the risk of ridicule or misunderstanding. It is a film is about discovering oneself.

The Filmmakers

  1. Shukree Hassan TilghmanDirector
  2. Owen CooperProducer
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PLAYING NOW!!
SAN FRANCISCO THEATRICAL PREMIERE! Exploding out of South Central LA with a previously unthinkable and utterly undeniable funk-thrash swing and a joyously chaotic stage show, Fishbone quickly ascended to the top of the hyper-competitive heap of Hollywood club bands in the 1980s. But selling something so awesome and unusual to the American public? That’s where the trouble began. EVERYDAY SUNSHINE ecstatically traces the tangled threads, simultaneously shooting straight about Angelo Moore and Norwood Fisher’s dogged persistence in continuing the band amidst innumerable setbacks. Dirs: Lev Anderson & Chris Meltzer. Interviews with past and present members of Fishbone, Flea, No Doubt, George Clinton, Mike Watt, Tim Robbins & ?uestlove. 2010. Digital. 103 mins. Nightly at 7:15pm & 9:15pm, plus Sat. + Sun. at (3:15pm) & 5:15pm.

PLAYING NOW!!

SAN FRANCISCO THEATRICAL PREMIERE! Exploding out of South Central LA with a previously unthinkable and utterly undeniable funk-thrash swing and a joyously chaotic stage show, Fishbone quickly ascended to the top of the hyper-competitive heap of Hollywood club bands in the 1980s. But selling something so awesome and unusual to the American public? That’s where the trouble began. EVERYDAY SUNSHINE ecstatically traces the tangled threads, simultaneously shooting straight about Angelo Moore and Norwood Fisher’s dogged persistence in continuing the band amidst innumerable setbacks. Dirs: Lev Anderson & Chris Meltzer. Interviews with past and present members of Fishbone, Flea, No Doubt, George Clinton, Mike Watt, Tim Robbins & ?uestlove. 2010. Digital. 103 mins. Nightly at 7:15pm & 9:15pm, plus Sat. + Sun. at (3:15pm) & 5:15pm.